Film Analysis of A Midsummer Nights Dream :: Movies A Midsummer Nights Dream Essays

Film Analysis of A midsummer Nights moon Michael Hoffman directed William Shakespeares A Midsummer Nights Dream and it is an enchanting new interlingual rendition of Shakespeares most sorcerous comedy. It has dangerous potions, fairies and strange romances. It is a tale of a wondrous single night in which wicked spirits unfreeze the world of love on its head. First I have to recognize it clear that I have never really thought much of A Midsummer Nights Dream. I have always considered it fairly light-minded and not too important in William Shakespeares career. I really do not know why, it just is what it is. I must say, that Michael Hoffmans William Shakespeares A Midsummer Nights Dream is a very good film, BUT, it is not for everyone because it is purely Shakespeare updated to nineteenth Century, Tuscany, Italy where the characters ride around on a new invention, the bicycle. All the magical fairies, tangled romances, Oberon and Puck are all here to bedevil the unfortuna te humans, as Puck says, What fools these mortals be. The movie opens with an interesting effect to head the name of the film, its quite magical. The opening is interesting but then it bogs fell for about 15 minutes and since I was tired I ground it a bit of a struggle staying awake, but I did and I was rewarded. I quickly woke up as the scene moved into the woodwind late at night as the fairy world came to life history with interesting, magical creatures. Stanley Tucci plays the mischievous Puck quite well as does Calista Flockheart as Helena, one of the tortured lovers she nails Helenas love craziness. Christian Bale as Demetrius, Sophie Marceau as Hippolyta and Domenic West as Lysander play the other lovers. Rupert Everetts Oberon has a brooding to him that I have never seen which makes that role work for me in ways it has never before. I personally feel that Michelle Pfeiffer as Titania, the fairy Queen was abruptly beautiful. Kevin Kline as Nick Bottom and Ms.